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Exhibition

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https://www.obltv.ru/news/culture/zhivopisnye-traditsii-v-ekaterinburge-otkrylas-vystavka-dmitriya-vasileva/?from=timeline

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Gallery 'Moon '. presents the solo exhibition 'the shadow of the sun' artist Konstantin Kansky

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We invite you to the opening of the exhibition 'Before visiting the labyrinth of life'

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The excursus in the life of Valery Stratovich

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sings enthusiastically palette

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Exhibition and sale of paintings Vlam 'Paintings in the house of Love'

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Mosaics for the chapel of St. Barbara Martyr town of Gus-Khrustalny.

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Upcoming Events

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Mosaic Temple chapel of St. Barbara the great Martyr.

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Training in intuitive painting, Art therapy, workshops, individual and collective.

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'My artistic feeling'

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'My artistic feeling'

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The opening of a personal exhibition of Irina Chucky in the city of Nikolaev( Nikolskaya 24). 'My creative world'.

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On a rainy spring day let us remember the summer! France, Provence - Cassis!

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good day. I want to bring to your attention dear friends new work.

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Buy Art Fair Manchester (UK) 25,26&27 September 2015

Lita will be exhibiting her new and previously unseen paintings at this the largest art fair in the north west of England.

The exhibition is being held at the Old Granada Studios, Quay Street, Manchester on 25th, 26th and 27th September 2015.

Tickets are free to download at www.buyartfair.co.uk

Added: 02.09.2015

Author: Narayan Lita

litanarayan.artistsarea.com

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Invitation to life. Ilya Trofimov.

'Painting the Mary Daugaviete known to visitors of exhibitions in Moscow since the late 70s. It is without a doubt fraught with discovery and fun not only as a model of style, but also as a collection of ideas as a whole artistic phenomenon. Mar Daugaviete is in the Prime of his creative activity. Created by her to date, so... great, variety and richness that cannot be captured by a single glance. It will take a lot of pages of serious text to describe and systematize such a significant and profound material.

But in addition to the many possible approaches – from what lies on the surface – the whole body of the works of Mary can and should be addressed as a diary. "Diary," written in paint, oil on canvas. It includes not pages, but hundreds of wonderful sketches, landscapes, still lifes, portraits and multi-figured compositions of symbolic meaning.
Symbolism of painting Mary Daugaviete not realized at once, or rather, did not immediately formulated and quickly clothed in words. Most likely, this is due to the peculiarity of the letter, which ease their misleading: not a game?

Definitely a game, but a game that requires "it", and Yes from all participants marginal return. If the game is life, what fool is not serious.

In a sense, Mara shifted his personal history, his real life into the language of painting, told and continues to tell the story. In this life-painting, in this beautiful diary, as recreated in that heightened reality live with mom and dad – known Moscow sculptors (Lucius Daugaviete and Vladimir Zimmerling), fellow students, and then the Polygraphic Institute graduates, teachers, boys and girls; lover, then husband, Moscow painter George Uvarov, two daughters are adults, Mara and Maya, homemade puppet theatre, black cat, carved antique sideboard as a piece of architecture that has penetrated into the interior; mountains, clouds; fine, loose and strict – eternal trees; small world items ranging from soft toys and dolls, stitched together with my daughters, and ending with the family silver, shining on canvas the real magic.

The life of Mary – always amazed me is built as a collection of objects, ready to become a part of the productions, sign in still life, to complement the portrait, get your little or significant role in challenging the action of the next picture. In the house of Mary is not "worn" items, as part of wealth or welfare, but we use them as a symbolic multi-purpose objects, participants live magic shows.

Simple Cup is here something more than ordinary household items, and a simple tea party becomes a symbolic act. I realize this is perhaps only now, remembering not rare, but frequent visits to the house of Mary. It may seem strange, but they had always been for me. Mara is able to meet so that they feel involved in something important, perhaps beyond your current understanding. In this case we are not talking about some artificial situation, the stress arising from misunderstandings or any other false premises, which fills the lives of countless people. What I felt in the house of Mary, I would call a sense of clarity and significance of ordinary human life.
In the center of her world is the artist herself, the author, as active principle, as a hero and at the same time the object of observation. Early and one of the most characteristic works of this direction — "I, the mother PAL", 55x75, oil on canvas. Mara puts himself into the core of the film, the most popular figures of characters: it is surrounded by asleep at posing people and mom, lost in thought approached close to the easel. The whole scene and action of the artist, literally wedged between the canvas and the photograph shown with a certain degree of irony, occasionally glancing in her painting. There is already fully disclosed attentive and slightly ironic view of an artist who speaks about inner freedom, and allows you to see the situation from the outside.

It should be noted that a number of themes and subjects found and formulated Mara was already in the early period of art in the late 70s – early 80s. these themes and plots she comes back almost every year, sometimes more than once. From work to work changing plastic, the set of elements appearing and disappearing characters, changing light and color. This can be explained by the fact that within the "Canon", developed plot, it is easier to explore the formal side of painting, which has always been an important task for the artist.

But gradually this repeatability and selectivity determine the imagery of painting, form the Mara as a kind, original thinker.

As it was already mentioned, in the center, re-created her world, is the artist who have active relationships with others. Own body, face, plastic, and characteristic physical features of the immediate family members who served initially convenient and accessible educational material, become one of the Central themes of painting. It's recognizable, portrait presence in the most important storylines, bodily presence, which is having variety, not always rosy aspects of life. Let's take the theme of "Pogrom", where Mara puts a Nude female figure (himself) in the center of an angry mob.

"I", "my body", "my skin", "my eyes" – this is the tool through which the artist knows the world in its most important manifestations.

A series of canvases called "Worship artist" and "Bearing gifts", develops the thought regarding the particular situation of the artist in the world. Usually, this composition represents a procession of a group of people carrying in the hands, shoulders and heads a variety of gifts – things that in some way necessary to the protagonist in his "doing", – elegant frames, flowers, dishes of fruit, vessels, apparently filled wine. The procession depicted in the moment when she directly approached and almost surrounds the painter, deep in the work, or cheering came any gesture. The painter can easily discern the features of the Mara, and the action takes place on the background of the southern nature with a characteristic silhouette pattern of pine trees, near the mountains, under the sky, which in all its glory deployed solemn masses of clouds.

A few words must be said about the landscape "scenery", which plays an important role here. Mara stunning landscape. Many of her landscapes are a kind of visual formula of a natural landscape. They are extremely showy, and their beauty is related to the artist's ability to identify structural features. The landscape is exiled all secondary, too fractional, the main focus is on the relations of masses, volumes; colour contrasts get critical.

Generalization creates the impression of quickness and certainty of the letter, and this becomes one of aesthetic effect, giving the landscapes and other works by the artist impression of clarity and completeness.

It is important, however, to emphasize that produced the "effect" is not the purpose of this painting, it is in some sense a byproduct and consequence of the careful study of nature. Only a thorough, on-stolarski, due to natural diligence by examining the shape, color relationships, the artist stops at a particular "state" of the canvas. Same here – another important feature in the landscape, and in complex multi-figure compositions, there remains an acute impression of presence, the feeling that the picture was painted from life. But at the same time is a clear understanding of what the artist has done its "liberated" from all inert, which prevents the expression of his ideas.

The range of topics developed by Mara, is very wide. To simplify the problem, it can be likened to the movement from the particular to the General, personal, personal space to the comprehension of wider phenomena, primarily affecting the identity of the man and the artist. Therefore the topic of family relationships, home circle ("family games", as the artist calls it), the theme of childhood, and not randomly theme of corporeality as widely and clearly presented in the works of Mary.

Bodily, intimate conceptualized here in a symbolic manner and at the same time seen very clear, direct gaze, avoiding as false modesty, and connotations of low order. The idea of purity and truth corporal fanned amazing warmth of family relationships. Among the most expressive and tender should be called work, in which the last moments of the lives of children. The girls are busy playing, holding dolls, reading, listening, their presence filled a void, inevitably gaping behind parents.

Understanding plastics, measure and generality in the transmission of nudity deserve special attention.

Mara is not afraid and difficult issues – old age, senility, loneliness. In the "plastic theatre" of life, as already mentioned, your own body becomes for the artist a constant source of impressions, allowing to Express a certain state: melancholy, fatigue, waiting... In the end, private nudity Mara turned into a special form of dialogue with the Creator, becomes a way of inquiring about their own fate and the destiny of man in the world.

One of the most amazing stories can be called "Lamentation of love". It is difficult to say anything without falling in the vulgarity. Through this theme through this story comes to an understanding of the magnitude of human "research", which has devoted itself Mar.

Disturbing, beautiful and almost terrible heavens continue restless dynamics of human population compositions of Mara. Clouds are included in the artist's work as a special theme, as the alter ego of the spiritual movements of the characters, but primarily as an expression of its own author's perception of the depicted events.

In this sense, internal CHS is a hallmark feature of many works of Mara. The landscape itself, the phenomena of nature as seen by the artist, often so full of content, internal dynamics, its own natural life that is able to stay without a man don't need him...

One with nature's soul first learns about his greatness. It is involved in the creation, a particle of the infinite spaces, one can understand the beauty of the plan.

Man and world appear in the paintings of Mary in Renaissance guise, they are subjected to the stately rhetoric of a Grand drama called life. The artist looks at the world through the prism of classical European art, especially painting, believing that one should not renounce the great legacy of his predecessors. To become a follower of the great, I must admit to being a student, to try to delve into their already not very clear speech. Then you will stretch the threads of relationship, the impossible happens: today will be fertilized secret knowledge of the ancients.

This boldness and ease with which Mara enters into a dialogue with the past of European art, particularly attracted to her work.

After the old masters, it clearly suggests to think the human part of the universe, the character, which has, perhaps, a small but significant role in the theater days, on the stage of life; humbly to realize that the play was written not by us, but should not shy away from participation in the show, but to participate, to make every effort so that the time allotted to us, has not passed in vain.

It is no accident that each relies Nude his cloud, each age has its joys, each of the spring flowering trees.


Ilya Trofimov.
29 may 2008' read more

Added: 03.08.2015

Author: Daugaviete Mara

Daugmara.artistsarea.com

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Two worlds Mary Daugaviete. Art Historian Yuri Gerchuk.

'This name is not one of those that are on everyone's lips. Painting of Mary Daugaviete, traditional material (canvas), restrained in its expressive means, made only to attentive, receptive, and brought up the head. We cannot say that the artist quiet voice, chamber style. However, it is not one of those who grabs the viewer by the throat (or at... least for the floors). There is no strain on ligaments, the desire to shout down anyone. No expression, overwhelming harmony, roaring color. This painting is not amazing, but looking for sympathy, ready to which is not every viewer of the current noisy exhibitions.

But I think that's the name for a long time. It's not the fireworks that odvarka in heaven, goes out, leaving instead a bluish smoke. It seems to me that it is, on the contrary, increases. Very slowly, but steadily. Her paintings have an inner fullness and dignity. Individuality is not external, not only picturesque manners, and ways to understand and experience life, to think and feel. Behind her is a strong internal system of values: aesthetic, spiritual, moral. The art of Mary — philosophical, but without philosophizing, significant, but without false monumentality and pathos.

Mar Datafile — the artist's paintings. At the heart of each of its work, large or small, is not immediate impression, not a study from nature, but a holistic view of some of life's phenomenon or problem. Her art is quite sensitive to the state of the world, society, social environment. Sensitive but are not inclined to direct, specular reflection. In rare cases, the picture responds directly to an event: 'the Pogrom in Baku' (1989). Usually the artist is able to find a visible and succinct a way of capturing the Zeitgeist. The form, of course, metaphorical, but very visual.
These are, say, several of her paintings with people sleeping inside, sleeping in public, a crowd, on the beach (1983), in which faceless Lounges... Emotionally accurate image of the whole stagnant era: sleep heavy, uncomfortable, burdened, apparently, oppressive nightmare. "The sleep of reason" — by Goya — "produces monsters". However, these monsters Mar here depicts. She delicately avoids pressure demonstrative. Monster — until then — only implied.

However, the crowd will Wake up soon and turn into a monster — headed, aggressive, dangerous. The fury of the crowd — one of the key themes of painting Mary Daugaviete. And in the picture "Expansion" (1986) before us and those who organizes and directs this rage. In the glare of the spotlight their aggressiveness already directly embodied in the allegorical figure of the monster.

"The sleep of reason" is a modern public confusion, a crisis of social values, moral and spiritual, is revealed sometimes directly, in modern stories — in the crowd of thugs, scary, filled with merchants and beggars spaces of the Moscow subways. But he often appears in the allusions, appears in the mythological images ("Uranium"), biblical ("Sodom"), gospel ("judgement of Pilate"). Losing here the crucial external, sugesto household, the topic of social insanity polycast thus universally valid, philosophically-a universal sense.

In any case, the moral vision of the artist of doubt in the viewer does not. Meanwhile, she does not put himself up as a judge over this life, somewhere down looking at her follies and disasters. She is among his characters, but here, among us, carried by the tornadoes of passion, the victim among the victims, a grain of sand among thousands. Her own slightly overact profile no-no, and will be shown in a violent crowd. If she is judging, rather than us, sees himself and white, and black ('self-Portrait with double', 1987), is not afraid to show their anxiety, mental duality, weakness.

Still, the system of this painting — the balance of closed dense-in-itself of the compositions, strict rhythm, clear plastic and generalized, firm, slightly angular figure talking about her inner strength in the world. The artistic language of the Mary Daugaviete, very focused and specific, deprived of impressionistic effects running lights, immediacy of fugitive impressions, as well as expressionistic dissociation, the hysterical outbursts of passion. Her paint is thick and seems soft, but full of inner contrasts, tensions dull-green and bluish tones to sulphur-yellow or pinkish orange. The artist builds a painting of steady States, both physical and spiritual. Behind it there is a certain tradition, interest in dense paintings of the old masters, most probably to the Northern Renaissance and maybe slightly to primitiveschema provincial Baroque.

This world is certain, strictly selected values reconciled, balanced and very personal. Last but not least is the value of his neighbor, small world: love, children, the spiritual unity of the family. His house, where everything from an early age artists. Herself Mara in eight years he painted his first majolica dishes (her mother is a famous Moscow keramida). Her two daughters enthusiastically draw, paint in watercolor. The creative atmosphere of the house was approved and the exhibitions in which they participate together: Mara, her husband, also a painter, a talented portraitist George Uvarov and both girls. It exhibits paintings, watercolor, ceramics, and hand-made toys and books for parents of children or by the children themselves. And finally family puppet theater, where they play all four. The exhibition, these are called "family games".

This small home world forms a second, no less important range of topics in painting the Mary Datafile. In it is an anchor to its stability in the midst of the seething external, universal life. From this, for all the ordinariness of the stories, notable symbolism of these chamber canvases, focused their inner significance. Important than specific subjects — children games, introspective quiet adults, but the order of life, sustainability it measured currents, the strength of family tradition.

With the monumental height allowed in the film "Epitaph" (1989) intimate topic: two naked, the artist herself and her husband, are closely woven into a peaceful sleep. Here there is a clear peace of mutual trust and warmth, amazing for a Frank story chastity.
In the other works are activated family memory, Latvian rural roots, Moscow artist, arise Patriarchal images of her farm Rodney. The theme of the memory of past generations, the spiritual communion with them, with a kind of naive obviousness is embodied in a small picture of the Graveyard feast" (1989), where a procession of people with flowers in their hands very friendly meets at the cemetery wall with a crowd dressed in the shrouds of skeletons...
Two worlds in canvas Mary Daugaviete seemingly contradict one another: dramatic, lush world of public passions and disasters and sustainable home world of family traditions, creativity and love. However, we do not separately perceptible, and we will not understand until the end. Only in the sense of the artist's work. Their delicate balance — and there is her inner theme.

Peace be to this house!'

Yuri Gerchuk.
January 1995 read more

Added: 03.08.2015

Author: Daugaviete Mara

Daugmara.artistsarea.com

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'Light's vision' Vasukevich

Artist Victor vasukevich told Me, “ like the smell of oil paints turned his mind why alcoholism is a concentration camp for the soul, and God is the only reality.

I was born under the Novogrudok, the capital of the chronicle of Lithuania. My native land with energy and the scenery gave me a great and varied life, in which there... were UPS and downs. When I grew up, there lived other people, they remembered the war, he remembered his ground until the arrival of the notorious Communists.

The most important point, which has influenced all my work is the moment of my appearance in this world. I since birth realized that I need to squeak out, to yell, to get around that you popeil, fed to somewhere took to put you in the shade and in the sun. You thought and thought and worked inside. The most interesting work is pure, sincere creativity savvy baby.

I sent in my childhood visions and revelations. No matter how it sounded fantastic, but I actually saw angels in the clouds, and at night I was flying above the village and inside the house when the whole family is sleeping and I flew and saw them all yourself and sleeping.

In art brought me... the smell of oil paints. This happened in one of the periods of my life, when I worked at the car factory and lived in a hostel in a room with a colleague on the shop floor. This guy went for my birthday to a relative and bought a gift set of oil paints. Out of curiosity I opened one tube and decided to see what actually color art paint. And the smell turned my consciousness.

If to speak about “my universities”, it is worth mentioning period of employment with the company on manufacture of cars. It's a scary place of being where people kill and nerves, health, and life only in order to subsist and survive in the city. Another army was stupid (and I served in the far East) who the fuck humanity needs. But it does not. Smart people understand what the army can be a haven of peace? Then there was a period of drunkenness and vagrancy is a very joyful and fun period. If you look, I was most happy. I had no social obligations, I have not experienced any tension. I had one concern: where to drink a glass of cold wine and where would I add? In fact, this free lifestyle (for the person on the lowest rungdevelopment).

In those drunken times happened to me all sorts of stories. To drink I wanted, and I once came to one of our famous artist, I think: the Dolgans him some money. And in the Studio was not. Next door on the same floor was occupied by two workshops. And in the vestibule General stood someone mouldings for frames – new, associated. I grabbed the baguette and called another artist, saying that I bought and want to drink. And he paid me and put the baguette in the same place. I came the next day, and again, this baguette is. I rang the doorbell next to the artist and sold him the same baguette. And on the third day – the third.

Generally, alcoholism is a concentration camp for the soul. You're in the territory of the devil. What he wants in this moment, and will do to you. When you loitering amongst such a society – the homeless, drunks – you're becoming, like them, is not adequate. And actions there defy all logic, things just animalistic creatures in a drugged state. The soul is not there, degraded, destroyed, and it is the Providence of the devil to take your soul and destroy. After all, the struggle for the soul: will take your soul light or dark world – and get stronger.
Last year I suffered a heart attack. Lost consciousness for a day or two. I had visions, I was in hell. I saw the gates of hell, huge, like a blast furnace. Saw his friends, the drunks, who are no longer alive. They are there devils churned to a state of chops.

I don't consider myself a believer. I just absolutely do NOT doubt the existence of God. And God to me is a greater reality than myself, others, the world around us. This whole world is an illusion of God, it is His projection. How can we consider ourselves something more real than God, if He created all this? So God to me is the true reality, and I myself – is It a fantasy or a dream. Finally, even scientists have come to this opinion.

As for Belarusian climate, dampness depressing me. I love it only when it is a heat below 30 degrees. Because of the gloomy climate and paintings in Belarus grey. Belarusian school of painting is a “whitewash, serila and ink,” as one of the greats. That's nonsense on a global scale, local level development. Drozdovich't fall into the Belarusian school, and Malevich does not fit, and Soutine, and all the artists of the Paris school.

Belarusian artists are drawn to the space, although grew up in the swamp. Because the swamp is easy. There's a lot of clean air, and therefore the connection with the cosmos strong. And today our rulers and confused by megalomania and from the word “little” – little money, tractors, tanks – they are the lungs tear, destroy. And not only here – but in Brazil, America, Japan. And spiritual energy the relationship weakens and, eventually, get lost, and people will turn into a space virus. Or he could self-destruct, or go into another dimension, a physical condition. There is no other way, resources are not infinite. Maybe they were laid, he grew up or have lived for a certain period. Say, how did the civilization before the flood, then the planet was cleansed. And now cleansing is inevitable. Because the planet is choking on the man because he absolutely brutally cracked down on her.
How can art be called a profession? It just does knowledge not needed. If you will not reject this knowledge that you somebody learned, absorbed, like a sponge, when are you going to squeeze that sponge, it will flow from there taken from nowhere plagiarism. So everywhere does. When you come to some from our exhibitions, we see approximately the same thing, only the house stands on one side and a tree on the other. The one set of words, only the order is different. But if you can get your sponge spiritual effort to squeeze, to be purified, to become receptive to spirituality, the cosmos – only then will you be able something to give – fresh and new.

My last exhibition was called “Light-Seeing”. This means that God has already begun to open my “third eye”, the eye of the soul. Now I see the future picture on a blank canvas, as illuminated by the spotlight. Previously, I was inclined to say that you don't know what you're doing that someone moves me. But this turns out to be wrong: if God leads you, then you are still blind. So it was with me during the period of my work, which I call the “light show”: God taught me to press on all the buttons of the colors in the palette, so I worked on the whole space of the canvas, to understand the main thing – God has no chance, the cloth should work perfectly. The entire square of fabric from beginning to end should be sound. Not as in realistic art, where there are main and secondary, have meaning, and there is a second plan.

I'm not against realism in General. I am against the fact that people write the text, who wrote nature, and give it for his own. It will still be a loop, not an essay on a free topic. I also write a realistic work – landscapes and still lifes. It's the ABC that sometimes it is necessary to repeat and go back to remember how the letters are written. So realism, as the school program needed for the artist.
Previously, I was on that level of spiritual development that the mistakes of others – Leonardo, Picasso, Mozart, Bach wanted to assert themselves. But at that stage I believed, as many believe that there must be an individual, to oppose themselves to the rest, to stand out to get noticed. But if God is a unity, if he has no preference, and if you came to Him, and He opened my world, you understand that your identity out there and certainly not wanted. 'll throw you out with your personality.

I now better understand what in hell do not need this society. Because if you, due to circumstances, has moved to another level of spiritual development, then you already belong to another society – the society of unity and not a society of individualism, where each task is to seize, to snatch, to protrude. And the more it will protrude over others, the more he urvesh going to get. There in the upper world is cancelled, there is another law. There you will play the role that you, the Director will indicate, seeing from the side, what strengths you have that you can play, something for you to load, how is your spiritual level is able to withstand. You become a tool in the hands of God.

Text: Ales Sukhodolov
Photo: Nikolay Cupric
Source: I: a magazine about people and their respective fields of interest . – No. 7(6). December-January 2013/14. – Pp. 62-65. read more

Added: 13.05.2015

Author: Vasyukevich Viktor Aleksandrovich

viktor_vas.artistsarea.com

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Flowers and Artist

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portrait of a girl.2015. size h.the work sold

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Amazing 3d Paintings.

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The natural diversity of manifestations of the personality of the artist Arcadia Morozov.

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personal anniversary exhibition Svetlana Kochevoi "collected works"

In Novorossiysk opened jubilee exhibition
Svetlana Kochevoi "collected works"

January 15, in the exhibition hall of the Novorossiysk branch vtoo "Union of artists of Russia" opened a personal exhibition "works" painter, member of the NGO vtoo "Union of artists of Russia, member of the Creative Union of artists of Russia, Svetlana Kochevoi.

Svetlana often pleases personal projects Novorossiysk viewers as well as... connoisseurs of art in other cities of Russia. So in recent years she has presented her work in the exhibition halls of Moscow, St. Petersburg, Krasnodar, Stavropol, Anapa, Sochi, Pyatigorsk, Rostov-on-don, the terrible.

For Svetlana exhibition "works" - a landmark anniversary. The collection presented to the audience, includes more than 60 works: easel paintings, and sketches. The exhibition includes works that not only reflect the creativity Svetlana today, but also those works that have become vekovymi at some stage.

The storyline of the exhibition will tell the audience about a wide geography plein air trips of the artist. Warm memories of Montenegro Svetlana shares in the film "the Blessing the old Kotor". It is in these amazing places she visited with a sketchbook three times in the spring, summer and autumn. Unforgettable was her journey to South Korea, where she brought the sketches, written on the streets, Ulsan.

In 2013-2014 Svetlana Kukuev became a member of the plein air painters of the Eastern countries, which took place in the South of China. This international project has inspired the author to create a series of landscape works, and Novorossiysk spectator has the opportunity to "travel" to the Chinese Li river and in the mountains of the rice terraces. The exhibition also includes works devoted to Italy. After visiting about 20 Italian cities, Svetlana was often refer to topics solar Riviere and European architecture.

For the past 14 years, she Kukuev is a participant in the annual plein air trips organized by the Association of artists of Russia "Wheel", which take place in the mountains of Karachay-Cherkessia and Kabardino-Balkar republics. Of these trips, Svetlana brings the most valuable thing for an artist - sketches. Crisp and bright first impression from what he saw in nature, lays down on the canvas and becomes for the artist, an important lesson - that makes to move forward. Abkhazia, Crimea, Novorossiysk motives... As many themes, landscape themes and each author saw his distinctive and unique portrait of this place.

Svetlana has long established itself as a sensual and lyrical master floral still life. Haughtiness roses, extravagance lilies, soft peony, touching wild flowers - all this can be read in a picturesque reception of the author. Praising the exquisite nature of the flower, she adds bouquet forms in the most unexpected and bold composition.

At the forthcoming exhibition pleasant surprise for the audience can be a work from the series "Children's tales", which the artist was inspired by the birth of a granddaughter Anfisa. A separate line can be noted paintings on Moscow and the Russian Church architecture from Moscow. Chistoprudny Boulevard, Moscow. Street Marshal Sokolovsky", "Khotkovo. The end of November," which certainly will not leave the viewer indifferent.

Svetlana Kukuev is a constant participant of regional and all-Russian exhibitions. Such a creative and active exhibition activities could not remain unnoticed. In 2014, she won the Gold the medals of the Creative Union of artists of Russia "For contribution to the development of the national culture". Exhibition in the Exhibition hall of the Novorossiysk city organization of vtoo "Union of Russian artists" read more

Added: 14.02.2015

Author: kukueva svetlana vladimirovna

kuka64.artistsarea.com

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My anniversary PCs in native Sevastopol Museum

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What is the role of painting in a modern interior?

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Personal exhibition in Sevastopol

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in 2014 Abstract with Japanese Ink

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Roses and tea pot

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Exhibition: Zoran Andric, 'Mediterranean - life after' 16th - 23rd August 2014, Grand Hotel, Valjevo, Serbia

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They say that Spring is over.

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The invisible world is a pretext to see the true visible world

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Exhibition in the national exhibition center 'Struggle with gravity'

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The exhibition opened 'Mirror sleep' in Ekaterinburg

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Painted walls .

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The Unique Style Of The Canadian Artist Mark Лэгу

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Сила и Хрупкость Природы в Картинах Сьюзан Данко

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Indian art today in watercolors Samir Мондала

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Blurred memories by Alfredo Gonzalez

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With the New year !

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Unusual in the Usual: Romantic Impressionism paintings by Andre Kohn.

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Another Reality in the Works Jean Pierre Monange

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Square Art of Robert Doesburg

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The Freshness of Watercolors by Silvia Zsolt Fradera

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Stunning Surrealism Paintings by Michael Page

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Incendiary Paintings By Self-Taught Artist Daniel Densborn

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Intensive Impressionism in the Pictures of Daniel Wall

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The magic of the Colors in the Alfred Gockel's Pictures

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Orders Accept

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Head in the clouds: multiple exposure in the Paintings Deenesh Ghyczy

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Autumn 2013 - Exhibition Center Of The St. Petersburg Union Of Artists

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Child and the High Art: the Youngest Artist in the World

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«Russian Genius» Fedor Starin

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Sunny Joy in the Paintings of Chinese Artist Z. Ling Shu

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Contemporary Figurative Paintings by Arturo Samaniego

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Female Body Beauty’s Hymn by Henry Asencio

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Dynamic Cityscapes in the Pictures of Jeremy Mann

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Art Exibition - From the 3 at the 31 October Mal Crabbehof - 3317 DORDRECHT (NL)

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Top-20 Expensive Paintings of Russian Artists

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4 September - November 17, 2013 Illarion Golitsyn. Be yourself. To the 85 anniversary from birthday

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August 28 - September 2013

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Unusual works of painting from Stephan Balleux

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Salvador Dali: the 10 commandments for artists

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August 23 - September 22, 2013 Alexey Шмаринов.'Abramtsevo is my destiny'

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TOP 20 most visited museums in the world in 2012

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22 August - September 22, 2013 100 Etchings Vladimir Nilov

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August 20 - 22 September 2013 Exhibition of works of the members of the Presidium of the Russian Academy of arts

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From the famous actor, a well-known artist.

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50 Советов Художнику

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Drawing teeth artist

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Coins instead of canvas

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6 August - 25 August 2013 «The twentieth century artist Dobrov, are ailing»

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August 4 - September 22, 2013 «Watercolors Alexei Shmarinov»

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25 July - September 8, 2013

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July 17 - August 11, 2013Unknown IL Asknazy. vanity of vanities

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July 13 - September 1, 2013From Caravaggio to Guercino. Sir Denis Mahon and Italian art of the XVII century

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July 12 - September 8, 2013The gospel of beauty

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June 27 - September 29, 2013Titian. Of museums in Italy

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Doëlan

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Выставка пейзажей Турина в галерее 'Санта Аннунциата'

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Personal exhibition in Turin (Italy)

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26 June - September 01, 2013
Illarion Golitsyn (1928-2007). Drawing, watercolor, etching. From the collection of the Pushkin Museum to them. A.S. Pushkin and the artist's family

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20 June - 02 September 2013
Alexander Golovin. 1863-1930

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June 14 - September 8, 2013
Ball in the Noble Assembly 1913. Painting and sketches D.N. Kardovsky

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Chimera Art Opening Saturday August 3rd 7:00 pm. Stevens Square Center for the Arts

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June 11 - June 30, 2013
Exhibition Of Svetlana Демкиной 'Swing'
Kseniya Nechitaylo 'On the edge of the centuries'. Painting

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8 June - 1 September 2013
Corporate unity. Dutch group portrait of the Golden century from the collection of the Museum Amsterdam

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Added a new job my favourite of Picasso

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7 June - September 22, 2013
Gustavs Klucis. The right to experiment

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5 June - 14 July 2013
Maggie Hambling. Wall of water. St. Petersburg

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June 1 - August 11, 2013
Romanov's letters. Old believers ' icon painting of Yaroslavl province of XVIII-XIX centuries from the Museum and private collections

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Personal exhibition in the Ivanovo regional art Museum.

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29 may - 05 August 2013
Mikhail Shemyakin. Sidewalks Of Paris

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28 may - September 9, 2013
Project «Marius Bauer (1867-1932). Dutch orientalist again in Russia»

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10 June - 22 September 2013
«The pre-Raphaelites: Victorian Avangard»

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21 may - 23 June 2013
Exhibition of Gregory Дембовского «Bending line».

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Exhibition 'Courtyard'. Mikhail Brewers, Olga Sushkova

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may 22 - June 17, 2013
Ivan Sorokin (1922-2004). Painting

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24 April - September 22, 2013
'Leningrad collection'

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from 18 April to 1 October 2013
Vasily Nesterenko. 'SIM prevail!'

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11 April - 23 June 2013
Boris Messerer. Painting, drawing, installation

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may 5 - may 24, 2013
«Quiet my native land...» Dmitry Belykin

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Ekaterina Abramova returned to Moscow with an exhibition in new York

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Mikhail Nesterov

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The art of the Russian avant-garde.

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24 April - June 24, 2013
Hamburg artists from the collection of Hans Mathias

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27 March - 10 June 2013
Yuri Рысухин

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Temporary exposition of German and Austrian art of XVII-XVIII centuries from the funds of the Pushkin Museum to them. A.S. Pushkin

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