The gallery of paintings by artist Gorbunov Vladimir Alekseevich

Was born in 1953 in Moscow.

In 1976 he graduated from the Moscow state University. M.V. Lomonosov Moscow state University.
In 1975 to 1985 he studied at the art studios Ф.М.Кригера and П.Э.Бенделя.
In 1986 graduated from the Art-graphics faculty of the Moscow state open pedagogical University.
Since 1991 - member of the International Federation of artists of UNESCO.

Participated in Moscow exhibitions:
Since 1991, thematic exhibition on Malaya Gruzinskaya, 28, Moscow.
Since 1992, the theme of the exhibition in the gallery 'Albatross', Moscow.
1991. - 'Small Georgian', Manezh, Moscow
1994-95 international gallery of 'Small Georgian 28' IHMA, London, United Kingdom
1995. - 'Urban dreams'gallery 'Albatross', Moscow, Central house of artists.
1997. - 'Art-Manezh', Central house of artists, Moscow.

At the present time the artist's paintings can be found in the galleries of the Visit and Вдохновение. Moscow

Participant of international exhibitions-auctions: d. Stockholm, str. Goteborg (Sweden) since 1989, Mr.. Helsinki (Finland) since 1990, Mr.. Lima (Peru), 1994. Mr.. Cleveland (USA), 1995, gallery of Lapis-Samo (Atlanta, USA), 1996. 'From Russia with love' San Diego and Los Angeles (USA), 1997. In 1998. - 'Dreams...the birds...imagination...'. Gallery 'Quarter'. Moscow Central house of arts.

Personal of the exhibition:
1992, 1993, gallery ' Art-Centre of the Forest', Moscow.
1998. - IBM, Moscow.
1999. - Моншау, Aachen. Germany.
2001. - Cairo, Alexandria. Egypt
2003. - La Grande. Arche. Paris. France

Author of several publications on philosophy of art and color theory.
For a number of years engaged in the study of the threshold color differentiation of two close the colors on a different background.

Classical aesthetic concept, according to which the artist has as its goal the creation of an artistic image and presentation of his audience as if on a platter, the artist Vladimir Gorbunov is not something that rejects, but believes that it is very narrow compared to the one that can give a full-fledged work of art. Indeed, why give the viewer «their», when you can give it a «his own»!
«Own» the artist is very small, whatever his intellect, and it is too specific and not every interesting. My own view of the nature and inherent he was the only one vision. Gorbunov sees no need to flaunt, as it is usually accepted. The essence of the words «art» has its etymology of the word temptation, temptation or deception, so the term «true art» is the artist mockery of the audience. In essence, the Convention, fantasy, simulations and, if anything, a stamp may have a greater effect than masterfully executed copy of reality, by reason of his false illusion. The duty of the artist not to indulge the taste of the unprepared viewer, and contribute to the spiritual enrichment.

As stated in the Holy Scripture, God created the visible world and the invisible world. The visible world is usually called reality, but it is the word and captured захватано the man in the street, but however, we will not allow him to do so, as the said Paragraph. Florensky.
We call this invisible, mystical, a transcendent (other) world of the true reality. The reality is that the daily life through false and illusory. If the person is completely dipped in the everyday problems, his soul goes far away from understanding the reality and seeks to go into oblivion through the «wide is the gate». The way to comprehension of the truth goes through the «narrow gate», and it can be done only after reaching the enlightened one, the exalted state of the soul. Here the artist is not a substitute religion, but complements it. The task of the artist - through pictures cause the natural resonance of the audience, not even ready to the contemplation of such images. Let he sees the picture of the day-to-day and, finally, he sees the relatives of the images, such that the artist and is not thought to represent. The latter operates through him only slaves categories, of which the color and the form is only a small part. Further, by removing (Hegel) all the concepts and categories of the artist goes to the universal representation, gradually rising up from the initially set discord to harmony. His painting is not beautiful fragment of nature or instructive story. It has all the universe, stimulating the subject on their own real memories. Therefore, from the point of view of reality, the artist's method of Vladimir Gorbunov can be called “a Particular Abstraction, although these two concepts outwardly contradictory. But from the point of view of the invisible reality, creativity В.Горбунова can be called “Transcendental realism”, because it is intended to affect the soul of the viewer, that is, a body that is not described anatomically, but a means of contact with the divine ideas. God, good, beauty, and love - this is the basic design of the vector, with the help of which a man transformed spiritually. Achieving this state, detachment from worldly and petty cares and desires contributes to the same and better physical health. The artist's task is to find new category, unspeakable words, and enrich them with the help of a total order of the pictures, using in particular the rule of the «Golden section».
In. Gorbunov is not alien to the images of the real world, the forms found in nature. They serve as props in the attainment of the spiritual. In many paintings of the artist's signature is made in mirror image. Did Leonardo, but only in order, perhaps, to keep the curtain of secrecy over their work. In our case this note means that the artist does not vouch for the fact, where the picture is up and which is down, i.e., concepts, which are characterized by the real world. In strict compliance with the harmony, the picture may give a new image of being upside down in one direction or another. The same goes for the title of the picture. It conditionally, on the possibilities of joint and unobtrusively. If it prevents the disclosure of mental dampers of the viewer, the author gladly ready to refuse from it. All in his picture contributes to the stimulation in the creative process. In this and the difference between the paintings In. Gorbunova. The viewer does not esthete-Gazer, he is the author himself and for himself creates the spiritual Parallels of the mystical world, looking at the picture. The artist is not a prophet. His painting is alienated from the author and, surpassing his consciousness, becomes the guide, spiritual pumped from the real world to the world of the real. Ideally, it is like a lightning illuminating the world and прожигающей all of the interior, which turns over them and contributing to the divine update. The artist rejects characters, but in the last of his paintings is repeated one image - something like a window, through which the viewer is included in the hospitably open before him the world.
In his time Vladimir Gorbunov paid tribute to naturalism, including portraits, landscapes, still life, trying various technical materials. Now he works exclusively oil, mainly on the canvas. His work can be found in private collections of Russia and other countries, the number of which we find it difficult to specify the